Who does and doesn’t deserve a happy ending and what they have to do to get there is a very controversial topic in our society. Romance is obviously a genre that relies on happy endings. Could you elaborate on that and why you feel that way? You’ve said before that you see writing romance as an act of resistance and something you did because you were inspired by your grandmother. It’s important to me that it’s said explicitly and in a positive way rather than, “Oh you can’t use that word because it’s a bad word and it’s a bad thing to be.” It’s not, so that’s why that was important to me. Chloe is a fat woman and that’s a positive thing. Because of that, it’s always been really, really important to me that I represent diverse body types in my romance to show that all different kinds of people can be attractive and all different kinds of people deserve happy endings. It’s so pervasive and it leaves people with lifelong scars, mental health issues, eating disorders, all of that affects their body and their physical health. But the fact of the matter is that negative representation of fat women is something that hurts people deeply constantly. This is kind of difficult for me to talk about extensively because I have been fat, but I am not the minute, so I never want to overstep. Can you tell me more about the importance of using that word and normalizing it or trying to remove stigma from it? You choose to refer to Chloe specifically as fat.
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